Phonogram Field & Archive
Est. 2011 · Berlin & Tbilisi

We record the
spaces between
the notes.

Phonogram documents places through their sound — from a Svaneti beech forest in heavy rain to the inside of a cello in a Tbilisi workshop, from the Schönhauser Allee platform at 06:14 to the hull of a drifting boat in the Østfold coast.

1,247recordings
38countries
14 yearsof capture
FLAC / WAVmasters
Live feed · Rondane, Norway recording
Site 047 · 61°12′N 10°18′E 00:48:22elapsed
Current capture chain
Neumann KM 184 · LOM Usumu · hydrophone 20Hz–40kHz · preamp Millennia HV-3D · 48kHz / 32-bit float
Practice

Three things we refuse to do.

Recording, at its best, is an act of attention. These limits are not aesthetic preferences — they are what keep the work honest, year after year.

01 / Field, not foley

We go to the place.

Every recording in the archive was captured on location, by hand, by one of us. We do not build sound from samples, and we do not synthesize environments. If we cannot be there, we do not record it.

— Studio rule 1, written 2011.

02 / Untouched, not unprocessed

We edit silence, not signal.

We trim long tails of room tone at the start and end of a take. We do not apply reverb, EQ, compression, or noise reduction to the captured signal. What was in the air stays in the file.

— Studio rule 4. Catalog entries note any field gain-staging.

03 / Archive, not extract

We publish the whole take.

A recording is a document, not a clip. Each archive entry is the complete unedited capture with its full metadata — location, chain, weather, time, and the name of the person who held the microphone.

— Studio rule 7. Exception: the Short Take series, labelled as edited highlights.

The microphone is not a more sensitive ear. It is a different animal, and it hears a different world. The work is not in capturing what we hear — it is in learning what the thing actually sounds like.
Margrit Rösch, field notes, 2018. Interior of a violin, Mitte workshop.
Archive · Selected entries

From the current catalogue.

A small sample of the 1,247 recordings held in the archive. Full catalogue with complete metadata is available to researchers on request.

# Title & location Duration Format Status
047 Rondane interior — June melt Norway · 61°12′N 10°18′E · 1,270 m 00:48:22 24-bit · 48kHz Live capture
046 U-Bahn Schönhauser Allee, 06:14 Berlin · Arnimplatz platform 00:14:07 24-bit · 48kHz Archived
045 Interior — cello, luthier's workshop Tbilisi · Chokhatauri St. 00:22:41 24-bit · 96kHz Archived
044 Rain on beech canopy, Svaneti Georgia · Ushguli · 2,100 m 01:03:15 24-bit · 48kHz Archived
043 River Tergi at halti bridge Georgia · 42°19′N 42°48′E 00:31:08 24-bit · 48kHz Archived

Entries are numbered by date of capture, not title. Full metadata for each entry — weather, chain, operator, notes — is held in the archive ledger and available on request.

Contact

Write to the studio.

Phonogram accepts two kinds of work: commissions for new field recordings, and research access to the archive. We do not license recordings for commercial use without a project agreement.

For commissions: describe the place, the reason, and the output you need. We respond within ten working days.

For archive access: state the research question and the entries you are interested in. We hold the full catalogue internally; most requests can be answered from the sample on this page.

Studio
Phonogram · Klosterstraße 11 · 10179 Berlin
Postal
PO Box 4121 · 10105 Berlin · Germany
Response
Within ten working days for commissions; within five for research access.
Hours
Tue–Fri, 10:00–18:00 CET. Field recordings may be captured outside these hours.
Lutz Hamm
Founding partner · field recording & archive
+49 30 4700 1234